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bureau betak installs towering cranes, rendered in primary colors, that fill the vast nave beneath the iron-and-glass dome.
connections: +100
mineral pigments and recycled materials generate a color palette derived from urban village architecture.
two recessed ‘eyes’ introduce a subtle anthropomorphic presence.
connections: +2070
the stepped levels create measurable depth, and their edges cast controlled shadows that function as precise visual guides.
connections: +450

patricia urquiola’s furniture pieces for moroso were displayed within the kinetic installationimage © designboom
abstract embroidered graphics were revealed as the panels moved in a cyclical motionphoto by alessandro paderni
general view of ‘the revolving room’ photo by alessandro paderni
‘klara’ chair and ‘clarissa’ armchair by patricia urquiola for moroso on displayimage © designboom
up close look at one of the embroidered imagesimage © designboom
room with philips luminous textile panelsphoto by alessandro paderni
drawing of ‘the revolving room’image courtesy of patricia urquiola, kvadrat, moroso