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bureau betak installs towering cranes, rendered in primary colors, that fill the vast nave beneath the iron-and-glass dome.
connections: +100
mineral pigments and recycled materials generate a color palette derived from urban village architecture.
two recessed ‘eyes’ introduce a subtle anthropomorphic presence.
connections: +2070
the stepped levels create measurable depth, and their edges cast controlled shadows that function as precise visual guides.
connections: +450
the bold black and white graphic that adorns the floor
the illustration carries from the floor onto the furniture giving an all encompassing effect
the furniture blends into its surroundings…
the graphic lines unify furniture with space
aerial view
the black graphic lines continue onto the furniture within the space
rehberger’s art carries over iconic artek products – enzo mari’s ‘sedia 1 chair’ (left) and alvar aalto’s ‘children’s stool NE60’ (right) used in the café
