KEEP UP WITH OUR DAILY AND WEEKLY NEWSLETTERS
bureau betak installs towering cranes, rendered in primary colors, that fill the vast nave beneath the iron-and-glass dome.
connections: +100
mineral pigments and recycled materials generate a color palette derived from urban village architecture.
two recessed ‘eyes’ introduce a subtle anthropomorphic presence.
connections: +2070
the stepped levels create measurable depth, and their edges cast controlled shadows that function as precise visual guides.
connections: +450

entrance to the exhibition space image courtesy of tokujin yoshioka
general exhibition view image © designboom
installation view of ‘the invisibles’ by tokujin yoshioka for kartell image © designboom see more about ‘the invisibles’
image © designboom
‘ami ami’ chair by tokujin yoshioka for kartell image © designboom see more on the ‘ami ami’ chair
two largely illuminated walls in combination with the foggy atmosphere create an eeriness throughout the exhibition space image © designboom
image © designboom
image © designboom
‘the invisibles’ table by tokujin yoshioka for kartell image © designboom
‘the invisibles’ chair by tokujin yoshioka for kartell image © designboom
‘panna chair’ by tokujin yoshioka for moroso image © designboom see more on the ‘panna chair’
‘bouquet chair’ by tokujin yoshioka for moroso image © designboom see more on the ‘panna chair’ and ‘bouquet chair’
tokujin yoshioka with A&W editor-in-chief barbara friedrich image © designboom
image © designboom
the exhibition unlit image © designboom
view of the exhibition from the exterior of the building image © designboom
köelnischer kunstverein in cologne image courtesy of tokujin yoshioka
tokujin yoshioka with oskar zieta image © designboom
‘plopp stools’ by oskar zieta image © designboom
ross lovegrove presenting tokujin yoshioka with this year’s award of ‘A&W designer of the year’ image © designboom
image courtesy of tokujin yoshioka
image courtesy of tokujin yoshioka
image courtesy of tokujin yoshioka
tokujin yoshioka walking through the exhibition image courtesy of tokujin yoshioka