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bureau betak installs towering cranes, rendered in primary colors, that fill the vast nave beneath the iron-and-glass dome.
connections: +100
mineral pigments and recycled materials generate a color palette derived from urban village architecture.
two recessed ‘eyes’ introduce a subtle anthropomorphic presence.
connections: +2070
the stepped levels create measurable depth, and their edges cast controlled shadows that function as precise visual guides.
connections: +450

tokujin yoshioka with his ‘snow’ installation at the mori art museum
the winter calm…
the snow scape being blown around
tokujin yoshioka with ‘snow’, 2010
installation view of ‘snow’, in which fine feathers are blown up by wind to emulate a snow storm
‘snow’, 2010
a look at the feathers being blown around
visitors enjoying the snow scape
‘snow’, 2010 at mori art museum
view from afar
progression of ‘snow’, 2010
progression of ‘snow’, 2010
‘the light’ by tokujin yoshioka
installation view of ‘waterblock’
full view of ‘waterblock’
up close of ‘waterblock’
profile
‘waterblock’
visitors admiring ‘waterblock’