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the collection was presented in a space inspired by the barcelona pavilion, a building designed in 1929 by mies van der rohe + lily reich.
the aim of le témoin was, as with many of the artist’s works, to adapt a surrealist object to everyday use.
connections: +1370
a transparent panel on the floor of the office furthers the connection to the outdoors.
The world is saturated by images, so might as well add to the sea of filth. Great dance routine, so romantical.
Laughable, pretentious crap