james irvine interview james irvine interview
jun 04, 2003

james irvine interview

james irvine© designboom

 

 

we met james irvine in his milanese studio on june 4, 2003.

 

 

what is the best moment of the day?lunchtime, I like to take a break.

 

 

what kind of music do you listen to at the moment?its the usual mix of stuff, but I’m getting more and more into classical music.

 

 

 left: ‘vitaminic bar’ , use of DuPont(tm) Corian(R), 2002

right: stadtbus for hannover, 2002

 

 

do you listen to the radio?living in italy, I’ve found that the radio is full of advertising. there is only one station that I like to listen to, lifegate, it has no advertising. the rest of it is a real ‘violenza’.

 

 

what books do you have on your bedside table?a biography of jacques tati.

 

 

do you read design magazines?I tend to flick through them, unless there’s an article about me,then I read it (laughs).

 

 

 a view in irvine’s studio with float lamp for artemide, 2000

 

 

where do you get news from? newspapers?much to my shame I watch the tv news in the morning, canale 5 which I don’t like, but at least I find out what’s going on. I buy the tribune and the guardian also.

 

 

do you notice how women are dressing?do you have any preferences?of course I’m interested in how women are dressing, I spend the whole day looking at them walking down the street. I was in barcelona last week and I must say that spanish women dress better than italians, they’re less self conscious abouttheir clothing. I like it when a women is less self conscious.

 

 

 

left: ‘fly over’ table/lamp, abet laminati 2000

right: dinner4two, lamp for sputnik / idee, 2001

 

 

what kind of clothes do you avoid wearing?I wear nothing too sporty, I don’t feel relaxed. I actually end upwearing a lot of things I don’t like very much,… but it’s too complicated to explain now.

 

 

do you have any pets?I would love to have a cat, but I travel too much.

 

 

‘lunar’ sofa-bed, for B&B italia 2001

 

 

when you were a child, what did you want to be?I wanted to be an entemologist. I decided to be a designer after I bought a motorcycle,took it apart and put it together again. I started to fall in love with three dimensions and form and how things work.

 

 

where do you work on your designs and projects?funny enough, quite often in restaurants.

 

 

 left: luigi, bottle opener for alfi

right: ‘big super hook’ for danese milano

 

 

who would you like to design something for?I’d like to design an ecological scooter, but I doubt it will ever happen. I’d like to work in the public area, finding solutions for problems in the city, but my studio is small and they don’t trust smaller studios for projects like these. I think urban problems are the most interesting things to do. we spend time designing things which don’t solve anyproblems, like designing another chair, or something like that, rather than confronting real problems.

 

 

do you discuss your work with architects and designers?all the time, I have friends from all over the world and every week we discuss work, politics, quality of life, food, whatever.

 

 

describe your style, like a good friend of yours would describe it.I have absolutely no idea and no desire to describe myself. I am interested in humanistic aspects, but you can’t work with morals. I try to design things that are true to themselves and not too influenced by marketing factors, things are for people, because my clients are people, not industry.

 

 

 

folding chair for coro, 2003

 

 

can you describe an evolution in your work from your first projects to the present day?the more I work, the more I realize that I have a point from where I start: some people think that design is a sort of styling thing, but I don’t see it like that. I think it is cutting awayall the bullshit and starting from the basics. it is one of the oldest tricks in the book, it is starting from scratch, starting from what I know and how I feel it should be and doingthe object how I would do it. it has nothing to do with minimalism,more to do with cutting away to find the true strengths of my idea.

 

 

do you sketch by hand or use a computer? well, I think about it first, it is a more mental picture, then I sketch it and give the sketch to my assistants and they draw it.I usually wait until they’re finished, I’m not on their back saying change this while they do it. it is quite interesting how they interprete a sketch. I don’t like too much technical drawing.my job is to communicate the basic feel of something. the proportions are based on logical reasons …but fundamentally I think that a project has to have a good strong idea behind it, it doesn’t need to be embellished so much,it just needs to be right.

 

 

what project has given you the most satisfaction?every project has given me a different kind of satisfaction,perhaps the most satisfying was designing a bus for the city of hannover, built by mercedes, because it was anurban project which hopefully made a lot of people more happy.

 

 

left: ‘stripy’, fountain pen for acme writing tools

right: x-tables, folding tray tables for swedese 2002

 

 

is there any designer and/or architect, you appreciate a lot?yes, hundreds of them for different reasons. pierluigi nervi, enzo mari, jasper morrison, alberto meda, ettore sottass… they’re all heroes, I have a lot of heroes, not just one, also charles eames, salvatore ferragamo, craig ellwood. there are’nt any musicians or artists – heroes for me right now. I love actors, susan sarandon, for example.I always think about how they’re real people, even though they’re acting. I find it fascinating.

 

 

any advice for the young ?put priority on things. don’t think too much about being rich, because that isn’t what makes you happy. the biggest value, the most important thing is freedom above all, and freedom from other poeple.

 

 

on the news they said that italians are afraid of unemployment,criminality and pollution. what are you afraid of regardingthe future?all three of those, all societies should be concerned about them. if I were italian I’d be very very worried about the political situation, the concept of democracy, control, freedom of the press. I don’t think this is just an italian problem, its a british problem, an american problem…the reality is that the power distribution at the moment is really weird and quite dangerous.

 

 

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