SANAA : kazuyo sejima + ryue nishizawa: designboom interview
SANAA : kazuyo sejima + ryue nishizawa: designboom interview SANAA : kazuyo sejima + ryue nishizawa: designboom interview
oct 29, 2005

SANAA : kazuyo sejima + ryue nishizawa: designboom interview

we met SANAA at their exhibition in the basilica palladiana,vicenza, on the october 29th, 2005.



what is the best moment of the day?

s: just before I go to sleep, everything is finished then!


what kind of music do you listen to at the moment?

s: classical.


do you listen to the radio?

s: no.


the new, new museum, new york, USA. (2003 – construction began 2005 ).by SANAA.


what books do you have on your bedside table?

s: no books, just the magazines.


do you have any preference in fashion?

s: I often wear ‘commes des garcons’.


what kind of clothes do you avoid wearing?

s: nothing in particular; what I want to wear, I wear.




dior store, tokyo, japan (2001 – 2003).by SANAA






do you have any pets?

n: no, we have no pets.


when you were a child, did you want to become an architect?

n: I would never have imagined myself being architect.s: me too.n: she wanted to be a grandmother! kind of funny!grandmothers always look like…s: they are relaxed.n: happy and relaxed.s: yes when I was a child I really wanted to be a grandmother.n: to sit on the terrace and enjoy the sunlight.



zollverein school of design, essen, germany by SANAA.




zollverein school of design, essen, germany (2003 – construction began 2005).by SANAA.


where do you work on your designs and projects?

s: basically in the office.


which project has given you the most satisfaction?

n: every project has its own satisfaction, and reflection.and we need both to move to the next step.



o museum, nagano, japan SANAA© photo sanaa.




who would you most like to design a building for?

s: a school, but I have no experience yet,n: yes, she wants to build a public building for kids.s: he wants to make a church.


do you discuss your work with other architects?

n: yes, in japanese society, we often do organized discussions, ‘officially’ with other architects, and we try to critic each other …s: it is useful to have some comment.n: yes, at architectural meetings, or at a symposium. but also we do it sometimes at the bar… to compliment each other (laughs).



kanazawa museum of contemporary art of the XXI century, ishikawa, japan (1999-2004).by SANAA© photo sanaa.



interior detail.kanazawa museum of contemporary art of the XXI century, ishikawa, japan (1999-2004).by SANAA© photo sanaa.



describe your style, like a good friend of yours  would describe it…

n: coherant, consistant, always doing the same of our contants big concerns is how to create a relation between the inside and outside, this is very important for us to think about.s: and also proportion. I mean not ‘good proportion’ but the size and if it fits into that area. when we use glass or a screen or a concrete wall, this depends mostly on the area.


can you describe an evolution in your work from


you first project to the present day?

n: I dont know where to start from, we founded the SANAA office in 1995 and ten years has past since. before most of our projects were driven by planning, through dimensional organisation.s: probably our interest now is more how to organise ‘a program’ within a building – the layout of rooms and how people move inside. but also how to keep a relationship between the ‘program’ and the outside and then how the outside fits to the surroundings. in each project we havedifferent requirments and the site is different, we try to find our way. n: recently I feel something is getting different, for example we are now working on the learning centre project for the polytechnic university of lausanne in swizterland…and here we have more three dimensional changes, located outside of the two dimensional wall. this is what we feel recently as an evolution from the beginning period.



extension of the institute of modern art, valencia, spain (2002 – ).by SANAA




is there any architects and/or designer from the past you appreciate a lot?

s: a lot.n: le corbusier, mies van der rohe, oscar niemeyerthese are an unforgetable ‘trio’ for me.




chair for nextmarunilimited edition 2005designed by SANAA




and those still working?

n: frank gehry, rem koolhaas, alvaro siza…s: it is difficult to rest within a few, there are so many we like.


civic center of onishi, gumma, japan (2003-05).kazuyo sejima & associates© photo sanaa



women’s dormitory saishunkan seiyaku, kumamoto, japan (1990-91)kazuyo sejima & associates© photo sanaa




gifu kitagata apartments , gifu, japan (1994-2000)kazuyo sejima & associates© photo shinkenchiku



do you have any advice for the young?

n: practice,n+s: continue!




weekendhouse, gunma, japan (1997-98)studio ryue nishizawa© photo shinkenchiku




house in kamamura, kanagawa, japan (1999-2001)studio ryue nishizawa© photo shinkenchiku



what are you afraid regarding the future?

s: I am always afraid of the future but at the same time I’m looking forward to it. we want to be able to contribute to it.n: well, personally I am very worried about my future, because don’t know what will happen! I make plans, but you cannot predict.





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