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after paris and new york, the evolving sound installation arrives in athens, where water, porcelain, architecture, and the weather become part of the composition.
the swiss artist turns industrial mesh and raw concrete into a temporary painting for audemars piguet contemporary, shaped by architecture, movement and the changing city.
at milan fashion week 2026, glenn martens stages his final show inside studio dennis vanderbroeck’s club set with 200 performers.
the new wyss museum, ammann pavilion, and erlen torhaus extend the museum’s relationship with its landscape while opening the former private park to the public.

the facade is generated through an algorithmic design process that draws on the rhythms of the adjacent city
the crystalline facade is backlit in parts to operate as a glowing lightbox at night
courtyards provide a growing screen of greenery that shelters the internal space from summer sun
the top of the atrium opens out into the top floor of the library creating an animated well of activity
the winter garden connects all three levels of the complex
void spaces connect different levels through a ramp
generative process diagrams
location of the complex in the surrounding urban fabric
ground floor plan
first floor plan
second floor plan