
'break away from a functional approach to making': absurdist basket maker lewis prosser
the british artist uses basketry as a way of asking larger questions about labor, locality, materials, and the future of making.
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What if the spaces and objects of tomorrow are not mass produced, but meticulously crafted?
Crafting the Future looks at how contemporary creators collaborate with nature, utilizing living organisms to grow our built environment. Rather than viewing technology as a tool of erasure, we examine the productive friction between ancestral techniques and algorithmic logic, exploring how digital fabrication can elevate the intimate touch of the artisan. Turning the maker into an environmental steward, we investigate how shared craftsmanship serves as an engine for collective empowerment, forging alliances with local communities to revitalize ecosystems. Finally, we reveal how hyper-local methodologies are scaling up to dictate the architecture of massive public infrastructures.
Craft here is not a nostalgic look backward, but the realization that, as Richard Sennet famously argued, making is thinking, and that this shared intellectual labor is how we forge profound relationships with our environment and each other. By choosing to meticulously craft our physical world, we are doing more than building sustainable architectures. We are reinforcing the very essence of what it means to be human.

the british artist uses basketry as a way of asking larger questions about labor, locality, materials, and the future of making.



ahead of the ropery exhibition at whitechapel gallery, the london-based designer and researcher reflects on a decade of working with human hair.

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KOKUYO DESIGN AWARD 2027 deadline: october 7th, 2026