designmarch 2011 (5 articles)
siggi eggertsson at designmarch 2011
#design
siggi eggertsson combines the influences of classic impressionism with contemporary technology in his emotive grid based illustrations. his hand cut foil illustration for the »
siggi eggertsson combines the influences of classic impressionism with contemporary technology in his emotive grid based illustrations. his hand cut foil illustration for the second album from the apparat organ quartet won best album art in the icelandic music awards.
sruli recht studio visit
#design
while in reykjavík, iceland for designmarch 2011, designboom visited the studio of sruli recht, who works between product design, tailoring and shoe making.
while in reykjavík, iceland for designmarch 2011, designboom visited the studio of sruli recht, who works between product design, tailoring and shoe making.
krads: playtime at reykjavik art museum
#design
on show at the reykjavík art museum in iceland during designmarch 2011 the workshop provides a space in which the public can explore and study various architecture themes and »
on show at the reykjavík art museum in iceland during designmarch 2011 the workshop provides a space in which the public can explore and study various architecture themes and principles through 65 kg of LEGO.
henning larsen architects: harpa concert hall and conference centre nears completion
#architecture
on march 28th, 2011, designboom received a preview tour of the centre located in reykjavik, iceland before its official opening to the public in early may.
on march 28th, 2011, designboom received a preview tour of the centre located in reykjavik, iceland before its official opening to the public in early may.
umemi at designmarch 2011
#design
utilizing wool, a material traditionally used in icelandic arts and crafts, ragnheiður ösp of umemi manipulates the material in her designs through experimentations in knotting, »
utilizing wool, a material traditionally used in icelandic arts and crafts, ragnheiður ösp of umemi manipulates the material in her designs through experimentations in knotting, weaving and twisting.
