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dubbed the austrian power giants, these electricity structures are molded depending on the fauna representing the state.
connections: +740
designed by vladimir dubrovin, the concept project imagines bringing back the CD feel to digital tracks.
connections: +210
each object functions between wearable artifact and prosthetic device.
connections: +100
a commission by a client, the owner originally asked the sound artist to create his own version of the rosita commander luxus from 1970.

this photographic compilation investigates the aesthetics of information
‘rayfish footwear’, one of the ‘infotizement’ fictional ads in the book, has recently caused controversy online; read more about the company’s claims to breed
in illustrated short essays, ‘next nature’ provides a historical context to present-day innovation
‘we consume illusions’: we used to be able to identify food by its colour, feel, and smell. our meals needed no packaging. now, even bananas come branded and wrapped in cellophane. many marketing claims are just as artificial– wholesome, all-natural, farm-fresh. if it’s true that we eat with our eyes first, then what we eat are ads.’ – p. 282-283
infographics are among the range of visual data conveyed in the book
useful to both designers and informed consumers, two photographic essay series document the use of biomimicry marketing strategies and guidelines for anthropomorphic product design
‘office rebellion’ comic by packard jennings – p. 242-245
front cover
six ‘magazines’ bound together into a single book comprise the chapters of ‘next nature’
the book’s spine reflects the six fictional ‘magazine’ chapters stacked within