iluminar: procesión tecnológica by moritz waldemeyer and carlos ortega
the german designer moritz waldemeyer and mexican fashion designer collaborated on a moving light installation for the AMD 2014.
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the german designer moritz waldemeyer and mexican fashion designer collaborated on a moving light installation for the AMD 2014.
the fashion designer presented a collection of five sweaters produced with traditional mexican wool and manual looms at the abierto mexicano de diseno.
the artwork is an adjustable composition of technology, material science, and organic forms.
the surface is capable of undulating its complex meshes based on geometries found in nature.
'the dome is an experimentation that goes beyond traditional architectural form and composition to foresee fundamental aspects for chinese architectural space.' – pier alessio rizzardi of TCA think tank
the 'bug dome' pavilion has been constructed with bamboo and materials collected from the local area.
the piece provides a poetic and visually-engaging commentary on the state of architecture, where it has been and where it must go.
titled 'township of domestic parts', the nine disparate structures express components of residential typologies, such as the 'house of sleep' and 'house of shit', among others.
the award-winning designer presents the first collection of his eponymous brand, terence woodgate lighting limited.
the carbon fiber table is made in the ferrari factory using the same technology employed to manufacture the italian sports cars, allowing for a six meter long expanse which features a slim profile.
designboom spoke to plechac and wielgus about their numerous presentations and their thematic links, the significance of this particular prague-based fair to their own practice, and how they managed to create seven distincly unique installations for some of the world's biggest brand names.
spaces between the metallic configuration form natural places to store books and magazines, hang clothes and potted plants, and affix a light.
the building physically links to the surrounding topography with a long outdoor ramp, which accesses a publicly open rooftop terrace.
for the concert hall design competition on a site in their home town, the team conceived a glass volume cantilevering over the rhine river's edge, distinguished by a curving roof which peels upward at one corner.
the amorphous house is defined by two offset layers of transparency- a transparent glass membrane that twists and turns into itself and a mirrored bamboo screen wall.
the project known as 'the square and the cross' will include a museum, interpretation center and research center for historical heritage.
'I try to concentrate on things which are real. the question is: 'what in our life is real?' and 'how can I integrate these subjects in my work?'.' - jólan van der wiel
the almost meteorological wearables appear to have been sourced from moon materials with their pearlescent, coarse exterior skin and inflated architecture.
the suspended machine turns six arms with corresponding pencils around a paper canvas below.
the pocket-size contraption has a piece of paper and bit of graphite inserted into it, documenting the children's movement throughout the day.
the robust outer veil protects a three-storey office building, which results from the adaptive reuse of a single-level empty industrial facility in jena, germany.
characterized by a gently reclining black façade enveloping the plant's entrance, the redeveloped manufacturing plant offers the company additional floor space.
the scheme forms a strong connection to the land through a series of interconnected loops filled with athletic activities.
the daegu gosan public library is transformed into a 24-hr meeting place for people to exchange ideas, information and knowledge via multiple kinds of media.
the london-based artist has created the smallest known sculptures in the world, completely invisible to the human eye.
designboom spoke with vibskov about where he draws influence from, processes and materials he most enjoys working with and how he dreams up those highly imaginative collection names.
'my products are already in your mind, you just have not seen them yet.' - naoto fukasawa
designboom asks the boss at BMW motorrad a few questions on the new classic roadster and his past experience with the company.
the four ducati 'scrambler' models; icon, urban enduro, full throttle and classic, represent how the original 'scrambler' would be if its production was continued to the present.
the renovation has increased the overall quality of the indoor atmosphere, considering the building's geography and relation to the run.
the dwelling features a heavy concrete structure to ensure minimized vibration for the large telescope, which requires total stability for undisturbed star viewing.
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Marca Corona Award 2027 | Contest for artists and designers under 35 $ 1,675.00 USD deadline: january 11th, 2027