
interview with designer jeroen barendse of LUST
we spoke to LUST co-founder jeroen barendse about his studio's work in exhibition and interactive installation design.
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we spoke to LUST co-founder jeroen barendse about his studio's work in exhibition and interactive installation design.

jeroen barendse from LUST told us more about the type-driven exhibition that explore the work of jurriaan schrofer.

the collection has been divided into three main sections: body, sense, and memory.

the chair consists of an interlocking, weaving pattern, resulting in a loose, lattice formation.

the project shares similar characteristics with marcel duchamp's infamous 'fountain', as each experimental piece goes against the social norm and redefines the household side table.

a new playful reinterpretation of the classic weft pattern creates colorful playful cloud-like seating.

his attacking break-away racing mentality has been memorialized on the down tube as it features a running tally of the number of souls he has crushed in his career.

the bicycle is suitable for extreme-terrain riding by featuring the rock shox RS-1 and the magura MT8 disk brakes which provides precise steering and helps stop the rider quickly in any weather conditions.

known for her depictions of contemporary architecture, hélène binet is equally intrigued in historical structures and has photographed landmark buildings from all over the world.

for the last twenty years the swiss artist has captured the works of contemporary architects. this exhibition examines a selection of her works from 1999 to 2011.</p>

participants partake in a sort of performance-art: the 'stand-in' is directed by actions and cues such as crying, giving a hug or holding the hands of the human receiver.

<p>the series of 11 sculptures consists of cast fiberglass, steel-lined pieces which include pedestals to stand on, tablets fashioned with holes for body parts and freestanding abstract headresses.</p>
metal, stone, and wood combine to create a meditative space within the hills of italy.

as part of an ongoing series, the studio has collaborated with students from around the country to create a social, economic, and cultural structure for local residents.

the ethereal structure transforms the gallery space as the layers of pure white paper shift from the shape of a gable roof into a small window.

bright white layers surround an undulating marble table backlit by a strip of changing lights.

segments of overlapping structural elements layer as a compact pallet of hues, blurring much of what is recognizable and spotlighting the atypical.

the german photographer has captured a series of images that acutely acknowledge the landscape's overwhelming concentration of soaring buildings and skyscrapers.

the company has been form around the carbon fiber, wood, and fiberglass design to create new jobs for residents of greensboro, alabama.

the carbon fiber bicycles are assembled by people from the community using locally sourced bamboo.

the synthetic green space reorganizes public amenities 150 meters above the ground to mesh interior programs of each vertical volume.

the structure is shaped like a series of sound waves with a bright LED lighting system integrated into the exterior that responds to downloaded music data traffic.

the environmentally friendly scheme utilizes the sustainable qualities of cork, using the material in order to serve as a thermal and acoustic isolator.

the iconic facility offers a state-of-the-art facility, laboratory and sales floor for medicinal goods and related products, within a contemporary aluminum shell that shines with the pharmaceutical cross.

'le palais du champagne' appears as a collection of arches enclosed by an opaque shell of glass to provide interesting spatial effects throughout the interior.

in plan, section, and elevation, the restaurant is meant to represent the natural landscape of a vineyard along the waterfront.

for bravalla, the duo has constructed modular entrances for individual programs decorated with graphics by slobodan zivic.

using a dip-dye method, the furniture series approaches the production process without given hierarchies.

designboom headed to venice, where we stepped inside one of the few artisan factories left on the island of murano that represents an established practice of glassblowing.

the atmosphere of carlo moretti's original venetian showroom has been transported to milan, where the brand's history is highlighted in a workshop-environment.

with an output of 3,900 kW and a VVVF inverter, the vehicle reaches a top speed of 130 km/hr.

tokyo design week 08: masahiro minami designall images courtesy of masahiro minami'yui' is a light whose wood and glass are tied with a string at »










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