
a narrative selection of stolen products by marc dibeh
for the exhibition, dibeh created kitchenware, furnishings, and decorations based off of quotes from his subconscious recollection.
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for the exhibition, dibeh created kitchenware, furnishings, and decorations based off of quotes from his subconscious recollection.
these basic forms, through splitting and bending operations show infinite possibilities of sewing on a space, embracing full functions, occupying a floor, a ceiling a wall or corners.

the kitchen and library are spatially connected by a small opening between offset floor levels, which allows for exchange of views, sounds, and scents.

translating the idea of fashion as a cover for the human body, a series of new internal layers with a folded polygonal surfaces have been assembled over the center's preexisting framework.

the site-specific work emerges from the center of the gallery space out of a desk form, expanding outwards and upwards, wrapping around the perimeter of the room, finally resting along a side wall as a large hanging shelf.

a collaboration between man and material, the form of each furniture piece is dictated by the existing grains and layers of the wood from which it is made.

the matte black lamp is one of 20 winning projects at this years biennale interieur award.
a table lamp that takes the form and shape reminiscent of the classic gas lamps found around the camp site.

helmets give wearers the psychological strength to speak in public and overcome their glossophobia.

the office stationary has been created to help employees relieve stress at work by celebrating.

soaring 26 meters above the historic goodwood house, the design features two mercedes-benz racing cars speeding past each other in midair.

originally created as a study model by a team of young designers at nissan, the simulation model for playstation3's exclusive gran turismo 6 has moved from the virtual world to reality.

responding to its location near the holy city of medina, saudi arabia, the design contrasts the barren volcanic landscape with a vegetated circular form.

the scheme respects the history and heritage of its location, echoing elements of arabian culture throughout the design.

the architecture presents a dialogue between two differentiated and dilated strata by means of five semi-inverted concrete beams.

located in a forested environment near puerto varas, chile, the dwelling takes an irregular form distinguished by large protruding views.

the two dwellings are divided by a communal zone, which is finished with glass panels on the roof and opens as a breezeway on the ground floor.

<p>keep your eyes peeled for this new team sport designed as part of the 'playgrounds' exhibition in nantes, france, sure to entertain spectators and participants alike. </p>

the design creates a collaborative environment with flexibility to host events, a variety of meetings, as well as performances by artists represented by the company.

<p>the pop-up pool provides a much needed oasis for all park visitors during the hot summer months and with the adjacent sandy beach and concession, it makes for a very unique park experience for all who visit.</p>

available in black, gunmetal, chrome, and polished silver, the design is water resistant for up to 3 ATM.

<p>both series of minimalistic timepieces feature unique time displays in addition to interchangeable transparent bracelet straps. </p>

the drawing device uses a mathematical formula to move pens and pencils around a flawless ellipse.

<p>the design conveys a particular aesthetic value with a nuance of amusement by using the writing utensil as its structural component. </p>

fabricated by the custom built CNC routers of makers anonymous, the flat-packed chair consists of eight components that slide into place.

the watering can by paul loebach is made using a single metal tube, bent three times (X-3), to create both the handle and the pour spout.

standing on its two feet, the luminaire is made with a chicken (who died from natural causes), electric components, a light bulb, and plexiglass.

tussocks of colorful fiber are mounted on the black-painted wall of the exhibition space, translating the hues into a three-dimensional form.

using the pencil as his raw material, the designer glues their faceted sides together and machine lathes and turns the resulting mass to create each container's shape; unveiling different patterns, while revealing the beauty of the everyday object.

the series of undergarments -- named after the term describing hair fetishism -- are woven, knitted, knotted and hand tufted to look like pubic, armpit and chest hair.

the limited edition collection was designed for the 'lighting hope for haiti' program which aims to distribute solar-powered lamps to women currently living in post-earthquake housing camps.










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