
junpei tamaki + iori tamaki overlap crystal pattern in snowscape cabinet
hexagonal holes on the side of the cabinet's shelves overlap to create different patterns of snowflakes.
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hexagonal holes on the side of the cabinet's shelves overlap to create different patterns of snowflakes.

the white silhouette is accompanied by a round wooden detail that frames the whole piece, forming a soft, sinking place to sit.

the holistic approach acknowledges the density and complexity of its context, galvanizing and protecting the entire region.

in addition to shielding the city, the development offers social and economic advantages, establishing the waterfront as an engaging destination.

a day-by-day listing of things that are not to be missed during the most anticipated design event of the year!

to gain an easy understanding of this year's london design festival we've curated an interactive map to help you selectively plan your festival experience.

the series consists of sculptural pieces that are handmade in italy with wood from sustainable eco-forests.

designed and produced in italy, tête de bois spurs from the will to mold such a noble material as wood, to become a comfortable every-day accessory.

especially produced for the exhibition 'green island' - dutch design for a new city garden

dutch designer floris wubben created a pressing machine that extrudes variously shaped and colored epoxy-clay objects using different extrusion profiles.

the concrete tower is perforated with 71 windows to allow a 'vertical cityscape' encompassing the residential building.

<p>a narrow urban site dictated a four-storey dwelling, introducing a 3-dimensional engawa structure in the form of a winding ribbon wall which wraps the centralized vertical circulation.</p>

the whimsical shape refers to a cumulus cloud, protecting those beneath from the sun under its two meter diameter ballooned expanse.

eighty curved steel rods are bent and secured within a beech wood base, their arrangement creating a polar array.

the project involves the extensive refurbishment and re-cladding of the existing building, improving both the appearance and thermal efficiencies of the 1980s dwelling.

the scheme is articulated around an external garden which connects the sandstone building with surrounding woodland.

the standing lamp made of steel diffuses light with three rounded saucers that rest atop the piece.

a fusion of both a lamp and a shower, the design re-imagines the bathroom as a living space.

the hanging fixture gives light to an adaptation of camping cups used historically by scouting groups.

the system which functions on a track, offers a series of projectors for interiors that can be installed semi-recessed, surface-mounted or wall-mounted, providing various arrangements that cater to a diverse range of specific interior design needs.

originally a print shop, the japanese architect has transformed the narrow site into a cafe and light dining establishment.

the low cost structure is based on a polyhedron tunnel with a horseshoe shape, which creates a sense of depth within the spaces.

it's knucklepuck time.

the habitable structure houses an array of 18 mounted high-fidelity speakers, outputting a rich and full spectrum of sound.

the design combines art, education and recreation and has been awarded highly commended in the cultural regeneration category at the 2014 MIPIM architectural review future project awards.

featuring a porous folding facade, mass studies' proposal of the taichung city cultural center competition was listed as one of the five international finalists.

the facility will serve as a space for public exhibitions, and a think tank for the region's growing design community.

the 'lazy umbrella stand', 'blossom fruit bowl' and 'three-legged magazine table' are integrated pieces that serve as either a holder or frame.

the recreated spiritual spirals deftly intermingle various colors, botanical prints, plate size and trim.

an internal courtyard features a large circular opening cut into the canopy, allowing the sun's movement to establish a play of light and shadow throughout the day.

constructed almost entirely of timber, the house seeks to maximize the limited light and warmth available in the finnish countryside.










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