will ryman: anyone and no one
the two monumental sculptural works are constructed from various household items such as paint brushes, bottle caps and work boots.
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the two monumental sculptural works are constructed from various household items such as paint brushes, bottle caps and work boots.
paying homage to the city's larger than life qualities, the over-sized rose sculptures dominate the streetscape, overshadowing street lamps, vehicles and pedestrians.
using the discarded painted ends of timber, the collection celebrates the origins and processing of the material.
why limit yourself to two dimensions? the changing colours and shape of this clock turn reading the time into a three dimensional experience.
the circular wall accessory provides a playful hanging space on any vertical surface.
when stacked, the design staggers the alignment of the seat's legs, resulting in a very graphic look when multiple stools of different colors are placed on top of one another.
designed for an active client who enjoys a number of outdoor activities, the house incorporates a large transparent garage at the center of the house.
conceived for an artistic couple that required additional programs that catered to their needs, the project utilizes a void space that acts as a buffer zone between the domestic and creative areas.
the installation portrays young men of varied ethnic descent living in israel, depicted against backgrounds containing symbols typical to the multifaceted culture.
the installation grows from a canvas into the gallery space, formed from found objects to depict human interaction with his/her environment.
this dwelling blends into the surrounding wooded landscape while offering panoramic views of sonoma county's russian river valley.
with sweeping vistas of napa valley and vineyards, this residence is framed by the woods and gardens blanketing the encompassing steep slope.
the work is a 'paired, mirrored, flayed, javelin-impaled, cable-delineated-pendentive-funnel-suspended, squid-like sculpture'.
this being the US debut of this body of work, the show features three figurative works in stone, executed with contemporary technology which enables digital scanning and manipulation of three-dimensional objects.
the bicycle has been covered entirely with a woven surface formed from biodegradable material.
brazilian artist jarbas lopes believes that art is something which is public and socialist. his work explores ideas of accessibility and mutual experience.
the drinking vessels display a silkscreened shadow of the cup's handle onto its side, creating a subtle heart shape.
derived from her own japanese tradition of drinking beer, sake and plum wine from ceramic glasses, product designer reiko kaneko has created a new series of drinking vessels.
for the fifth year, canon will present an immersive installation during milan design week, this year under the theme 'neoreal in the forest', a collaboration among ryuji nakamura, nobuhiro shimura, and mintdesigns.
from the setting sun to neon signage, in the immersive installation at milan design week 2011, projections of images and video touch upon the themes of time and 'circle of light', while a 'light loom' composed of hundreds of strands of string creates a physical embodiment of the flow of light.
a collection of readable abstractions formed from lines, dots and ink.
image langue - temptation of indecipherable characters - is an experience in reading the abstract, more precisely, a dot code which is formed by miyamura's impressive bokusho work, a form of brush calligraphy.
the technical and formal aspects of the sculptural lighting piece are derived from the engineered efficiency of a standard bicycle wheel, whereby bulbs are arranged around a large spoke-like structure.
with an exhibition of 200 works, the french concept shop merci presents 'the japanese design of today 'as it is' and not 'as we think' it should be. no nostalgia, but design ideas for everyday: useful and smart.'
the new york-based street art collective speaks of the origins of the challenger space shuttle and 1986 imagery in their work.
set into a steep hillside, the roof plane of this dwelling has been lowered to protect from weather conditions and wind, minimizing the visual impact of the structure within the natural landscape.
transitioning between a remote, womb-like white space through to an open and and highly visible space, the room provides its overnight guests with a sense of voyeurism and exploration.
this proposal integrates the long life span of the native aspen tree to represent the permanence of the art center, introducing tree rings and logs to unify the interior and delineate circulation through the galleries.
taking the form of a cloud, this extension to an existing art facility will provide exhibit and lecture spaces in addition to an area for gathering of the community in park city, utah.
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