
yii: rush hour light by po ching liao
<p>po-ching liao draws taiwan's high possession and use of scooters and motorcycles, <br /> symbolizing the chaos and traffic they cause through a series of light objects.</p>
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<p>po-ching liao draws taiwan's high possession and use of scooters and motorcycles, <br /> symbolizing the chaos and traffic they cause through a series of light objects.</p>

<p>the lantern is styled with a classic appearance and combined with new technologies. <br /> the body of the lamp is ceramic, and features a bamboo hand. fitted with an inner LED system, <br /> this version of a traditional taiwanese lamp reveals its decoration only when lit. </p>

<p>featuring a series of lines that incise the plot, the project seeks to create a visually<br /> negotiate the qualities of the old and the new city. </p>

considering the site's master plan as well as the building itself, the project is centered around the abstract idea of 'force fields' to encourage the aspect of science to meet everyday life.

<p>each vase is made from mixed and hand colored resin which is drawn and splattered onto open structures - <br /> self-made moulds and shapes. once the resin is dry, the moulds are removed revealing vibrant objects<br /> which stand on their own. </p>

'rubber no. 14' by sebastian straatsma draws from the 'number 14' chair by michael thonet, who was the first to produce chairs with standardized components.

<p>tucked into the sloping and lush terrain, the structures lie in symphony with the surrounding context, mimicking the contours of the earth while reducing the visual impact of the built forms. <br /> <br /></p>

<p>within this creative space, the firm wants to provide plane space which can be adapted in multiple ways, with the characteristic to change with time, according to the manners and needs of its users.</p>

the work of singapore-based designers studio juju, timo wong and priscilla lui, was on display at milan design week 2011 in the salone satellite location. studio juju has received the design miami/basel and W hotels 'designers of the future award 2011' .

by considering textures and gestures, studio juju hope to introduce a new visual language to the archetypal model of a chair or lamp.

<p>by using a combination of various natural fiber such as water hyacinth strands, paper (partially color dyed), <br /> jute, etc. the weaving structure create a kaleidoscopic pattern onto the furniture objects.</p>

continuing onwards from maritime memoirs, that capture the simple, yet sculptural shapes of the ocean,<br /> furniture collection 'earthly treasures' features shapes found in the forest, such as the whimsical form of mushrooms.</p>

mostly choosing renowned landmarks of various cities, japanese artist tatzu nishi creates a new room for these iconic sculptures, making them accessible to visitors.

the merlion hotel installation by japanese artist tatzu nishi is a temporary and luxurious hotel suite especially created for the singapore art biennale. the project places the imaginary merlion statue -- with its head of a lion and body of a fish -- in the center of the bedroom.

made from tyvek and an ultrasonic seaming technique, this indoor/outdoor chair is waterproof and incredibly durable.

the lighting object made-up of 20 triangles of Tyvek® features a structural composition consisting of 30 bars and 12 connectors. 57 holes have been punched through its skin, allowing beams of light to escape from the polyhedron.

each stuck in a static pose, the shingled structures seem to dance with each other providing the linear composition with a strong sense of movement.

an outcropping of rock creates the setting of the 'z house' in brentwood california. protruding from the hillside the house has no pillars or false walls.

featuring a pavilion-like entryway, the narrow addition utilizes graphic elements and bold colours to lend the stadium a new face and identity.

by manipulating the fabric of the design, the traditionally flat track is raised to wrap around the spectators' stand and cover a changing facility, resulting in a holistic and playful multifunctional course.

taking on various sizes and shapes, the light bulbs appear as if they have gone way out of line, appearing as if they are almost starting to consume the pieces of furniture in which they are placed.

designboom was recently at art paris, where we had to opportunity to check out benjamin graindorge's latest work presented by french gallery, ymer&malta.

designboom was recently at art paris, where we had to opportunity to check out benjamin graindorge's latest work presented by french gallery, ymer&malta.

the show, whose name literally translates to 'feather weight marble' encourages designers to rethink and challenge the forms and attributes traditionally associated with the material in order to create the lightest objects out of marble.

siggi eggertsson combines the influences of classic impressionism with contemporary technology in his emotive grid based illustrations. his hand cut foil illustration for the second album from the apparat organ quartet won best album art in the icelandic music awards.

while in reykjavík, iceland for designmarch 2011, designboom visited the studio of sruli recht, who works between product design, tailoring and shoe making.

marco dessí's new 'dakar' series is made from bent sheet metal draped over tubular steel and is on show at milan design week 2011.

'grip' by marco dessi is a new range of glassware developed for austrian company lobmeyr.

candice breitz organized fifteen mumbaikar children and sent each of them home with a different bollywood film featuring a strong emphasis on a child character of a similar age. the artist then interviewed and asked each to verbally portray the character, finding common themes and structures in the children's responses.

candice breitz interviews seven sets of identical twins and one set of triplets, that have been edited into dual-channel presentations contemplating identity and one's relationship to community. premiere vision in singapore.

the camouflaged net, held in the air by helium-filled weather balloons, uses principles of atmospheric micro-climates to create a new form of interactive public space.

the oceanfront pavilion for art basel design miami 2010 sways, shifts, and glows in response to wind speeds and user interactions.










International Furniture Design Competition Asahikawa [IFDA] deadline: december 11th, 2026
Master’s in Digital Arts & Creative Technologies by IED deadline: september 30th, 2026
Master’s in Fashion Business by IED deadline: september 30th, 2026
Interaction Design. Emerging technologies for products and services by IED Torino deadline: september 30th, 2026
Master of Arts in Design for Other Species: Transdisciplinary Practices Towards More-than-Human Futures IED Milano deadline: september 30th, 2026
Sustainable Architectural Design Program by My Archischool deadline: december 31st, 2026
Material Balance Design. Digital Techniques and Circular Innovations in Architecture at Politecnico di Milano deadline: march 10th, 2026
Train Your Own Architectural AI-Model by My Archischool deadline: december 31st, 2026
Master’s in Digital Fashion by IED deadline: september 30th, 2026
Interior and Furniture Design by IED Firenze deadline: september 30th, 2026
Master's in Fashion Business Innovation by IED deadline: september 30th, 2026