
cate&nelson: panorama
the chair, which features an oblong mirrored backrest, reflects its surroundings in a skewed and disproportionate way, similar to that of a panoramic photograph.
stay up to date with all the latest topics to be featured on designboom with our dedicated tag overview. we've collated the most recent themes in the worlds of art, architecture, design and technology for your easy reading: from emerging architecture studios to new design trends to relevant events from around the globe.

the chair, which features an oblong mirrored backrest, reflects its surroundings in a skewed and disproportionate way, similar to that of a panoramic photograph.

the chair builds on this idea of furniture as members of a family, creating not just a a single item but a series or group of objects based on the same idea and using the same components.

a singular piece of wire mesh is delicately folded and creased to create the chairs origami-like form.

the work is a result of research on glass surfaces that azambourg completed with the CIAV, the experimental glass center in meisenthal, france. on show for design miami 09 are his different experimentations, creations and prototypes - a kind of 'work in progress', including the failures.

the traditional function of a wheelbarrow has been reinterpreted in 'loungebarrow', where the modest gardening tool is outfitted with padding and used as a lounge chair.

the freestanding exhibition space is composed of 1,148 metersticks, over two thousand screws, and hundreds of plastic fasteners.

taking the iconic glass bottle of coca-cola, korean designer jaeuk jung forever seals its form with the help of high technology, through amber-like chambers of polymer.

'amber chair' 'fossilizes' michael thonet's classic 'chair no. 14', sealing the object within amber-like chambers of polymer, giving it a longer life.

the stool is constructed from pieces of wood that have been identically cut and steam bent into the shape of individual 'pieces of cake' which are then glued together and lathed.

constructed from a frame made from bent and rolled pipes, the seat and back are structured from moulded expanded metal. powder-coated in white, the result is a soft transparent structure.

featuring a dominant interplay of colour, the honorably mentioned entry features clusters of cylindrical structures arranged to connect the urban and port life of the city.

an entry into the kaohsiung maritime and culture center competition, the design proposes a new culture and pop music center that extends from the street level and connects the city in a bridging structure.

in exploring the greater ideas latent in everyday objects, kevin van aelst creates a photographic world where chromosomes are composed of gummi bears and skulls are made of scrapped ideas and window blinds.

'the dino collection is very architectural, I wanted to suspend blocks within the sides (curves here) and work on the level and colour differences...' - eric jourdan

on a stage where objects are the actors and the set is composed of light, viewers question and explore their experience of objects and space.

the stools, with an aesthetic that is as brutal as it is sophisticated, look to reproduce the shapes and spirit of animals.

collecting old chairs from flea markets, fredrik farg removes their backrests, replacing them with a new textile structure indicative of a jacket collar.

'the waste-folder' is a compact hand-held bin, which easily unfolds into a six-compartment device for garbage and recycling.

each of the structural mirrored volumes are oriented toward medellín's iconic centre, reflecting the sky, mountains and surrounding natural environment.

'everyday weapons' is a series of leather apparatuses that weaponize everyday objects and tools by putting them in a context of readiness for violent action.

through array, sabine explored the process of sand casting. both the asymmetrical form of the candle holder and the mechanical relationship(close fit, arrayed from a central axis) between pieces when stacked are derived from the types of parts that are traditionally made using this process.

taking its form and characteristics from the typical antique oil lamp, the figurative design, reminiscent of a balloon, generates a diffused, ambient light.

the central island is a surface for placing coffee, plates, sketchbooks, or a laptop. the area that wraps around is a storage space for books and magazines.

the wooden structure is pierced with over-sized nail-like forms that enter the spin at variously bent angles to act as hooks.

the freestanding versions ('diplodocus I' and 'diplodocus II') come with polished chrome 360 degree swivel casters with brakes in orange, matte black or grey. they are also with adjustable feet. the tops of the free standing versions are compatible with the bottom section of the frame so they can be used interchangeably.

each of the two collections feature various components that allow the chef to tailor their cookware to suit their immediate needs.

alessandro mendini reinterprets bialetti's classic 'moka express' for alessi.

composed of a neon light installation, series of recomposed historical photographs, and living plant, the three-piece exhibition examines our human ways of organizing, representing, and understanding the world.

the latest installation in the curve is by new york- based artist peter coffin. 11 February 2009 - 10 May 2009 at barbican gallery, london

the clothing line's first free-standing flagship store, the project employs a 'kosakubutsu', a common building element, that sits above the structure's official 'shadow line' to double the visual height of the shop.

a new marc by marc jacobs store with an accompanying café and bar will open in early april this year.










KOKUYO DESIGN AWARD 2027 deadline: october 7th, 2026
Master of Arts in Design for Other Species: Transdisciplinary Practices Towards More-than-Human Futures IED Milano deadline: september 30th, 2026
Material Balance Design. Digital Techniques and Circular Innovations in Architecture at Politecnico di Milano deadline: march 10th, 2026
Master’s in Digital Arts & Creative Technologies by IED deadline: september 30th, 2026
Master's in Fashion Business Innovation by IED deadline: september 30th, 2026
Master’s in Brand Design and Hospitality by IED deadline: september 30th, 2026
Master's in Fashion Creative Direction by IED deadline: september 30th, 2026
Master’s in Digital Fashion by IED deadline: september 30th, 2026
Train Your Own Architectural AI-Model by My Archischool deadline: december 31st, 2026
Interior and Furniture Design by IED Firenze deadline: september 30th, 2026
Interaction Design. Emerging technologies for products and services by IED Torino deadline: september 30th, 2026