running the numbers by chris jordan

running the numbers by chris jordan


sans seurat, 2007 - depicts 106,000 aluminum cans, the number used in the US every thirty seconds.

the work of photographer chris jordan examines american consumption - his latest series of photographs
'running the numbers' looks at contemporary american culture through the austere lens of statistics.
each image portrays a specific quantity of something: fifteen million sheets of office paper (five minutes
of paper use); 106,000 aluminum cans (thirty seconds of can consumption) and so on. jordan's hope is
that images representing these quantities might have a different effect than the raw numbers alone.


sans seurat, 2007 - partial zoom

'statistics can feel abstract and anesthetizing, making it difficult to connect with and make meaning of
3.6 million SUV sales in one year, for example, or 2.3 million americans in prison, or 32,000 breast
augmentation surgeries in the US every month. depicts 32,000 barbies, equal to the number of elective
breast augmentation surgeries performed monthly in the US in 2006.'


sans seurat, 2007 - actual size

'this project visually examines these vast and bizarre measures of our society, in large intricately detailed
prints assembled from thousands of smaller photographs. employing themes such as the near versus
the far, and the one versus the many, I hope to raise some questions about the role of the individual in
a society that is increasingly enormous, incomprehensible, and overwhelming.' - CJ


cell phones, 2007 - depicts 426,000 cell phones, equal to the number of cell phones retired in the US every day.



paper bags, 2007 - depicts 1.14 million brown paper supermarket bags, the number used in the US every hour.



barbie dolls, 2008 - depicts 32,000 barbies, equal to the number of elective breast augmentation surgeries performed
monthly in the US in 2006.

more
chris jordan: http://www.chrisjordan.com
chris jordan's TED talk
andy db
08.22.08  
0

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art | 03.26.10

seattle-based photographer chris jordan's manipulated digital images tell the story of human consumption and degradation.

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